Book Reviews

<jats:p> <jats:bold>The Western: High Noon or Last Sunset?</jats:bold> By Michael Coyne</jats:p> <jats:p> <jats:bold>Westerns: Aspects of a Movie Genre</jats:bold> Philip French (2005) Manchester: Carcanet Press, 240 pp., ISBN 1857547470 (pbk), 39.95</jats:p> <jats:p> <jats:bold>Horizons West: Directing the Western from John Ford to Clint Eastwood</jats:bold> Jim Kitses (2004) London: British Film Institute, 342 pp., ISBN 1844570509 (pbk), 28.95, ISBN 1844570193 (hbk), 80.00</jats:p> <jats:p> <jats:bold>Cowboys as Cold Warriors: The Western and US History</jats:bold> Stanley Corkin (2004) Philadelphia: Temple University Press, 273 pp., ISBN 1592132545 (pbk), 23.95, ISBN 1592132537 (hbk), 69.50</jats:p> <jats:p>Rio Bravo <jats:bold>(BFI Film Classics)</jats:bold> Robin Wood (2003) London: British Film Institute, 96 pp., ISBN 0851709664 (pbk), 14.95</jats:p> <jats:p> <jats:bold>Unforgiven (BFI Modern Classics)</jats:bold> Ed. Buscombe (2004) London: British Film Institute, 95 pp., ISBN 1844570339 (pbk), 14.95</jats:p> <jats:p> <jats:bold>The Searchers: Essays &amp; Reflections on John Ford's Classic Western</jats:bold> Arthur M. Eckstein &amp; Peter Lehman (2004) Detroit: Wayne State University Press, 440 pp., ISBN 0814330568 (pbk), 29.</jats:p> <jats:p> <jats:bold>John Wayne: A Giant Shadow</jats:bold> C. McGivern (2004) Bracknell: Sammon Publishing, 465 pp., ISBN 0954003160 (pbk), 19.99</jats:p> <jats:p> <jats:bold>New Punk Cinema</jats:bold>, Nicholas Rombes (ed.) (2005) Edinburgh: Edinburgh University Press, 256 pp., ISBN 0748620354 (pbk), 25.00, ISBN 0748620346 (hbk), 75.00</jats:p> <jats:p> <jats:bold>Silent Film Sound</jats:bold>, Rick Altman (2005) New York: Columbia University Press, 528 pp., ISBN 0231116624 (hbk), 50.00, 32.50</jats:p> <jats:p> <jats:bold>A Culture of Light: Cinema &amp; Technology in 1920s Germany</jats:bold> Frances Guerin (2005) Minneapolis: University of Minnesota Press, 314 pp., ISBN 0816642869 (pbk), 24.95, ISBN 0816642850 (hbk), 74.95</jats:p> <jats:p> <jats:bold>Film Genre: Hollywood &amp; Beyond</jats:bold> Barry Langford (2005) Edinburgh: Edinburgh University Press, 310 pp., ISBN 0748619038 (pbk), 16.99, ISBN 074861902X (hbk), 50.00</jats:p> <jats:p> <jats:bold>If</jats:bold> Mark Sinker (2005) London: BFI (BFI Film Classics Series), 88 pp., ISBN 1844570401 (pbk), 14.95</jats:p> <jats:p> <jats:bold>Withnail &amp; I</jats:bold> Kevin Jackson (2004) London: BFI (BFI Modern Classics), 95 pp., ISBN 1844570355 (pbk), 14.95</jats:p> <jats:p> <jats:bold>Signs of Life: Medicine &amp; Cinema</jats:bold> Graeme Harper and Andrew Moor (2005) London: Wallflower Press, 224 pp., ISBN 1904764169 (pbk), 22.50</jats:p> <jats:p> <jats:bold>Film Noir: From Berlin to Sin City</jats:bold> Mark Bould (2005) London: Wallflower Press, 144 pp., ISBN 1904764509 (pbk), 20.00</jats:p> <jats:p> <jats:bold>Lee Miller: A Life</jats:bold> Carolyn Burke (2005) New York: Knopf, 448 pp., ISBN 0375401474 (hbk), 35.00</jats:p> <jats:p> <jats:bold>The Electronic Emporium</jats:bold>: Senses of Cinema</jats:p> <jats:p> <jats:bold>The British Consumer Co-operative Movement and Film, 1890s1960s</jats:bold> Alan G. Burton (2005) Manchester: Manchester University Press, 272 pp., ISBN 0719064163 (hbk), 85.00</jats:p> <jats:p> <jats:bold>Transnational Cinema in a Global North: Nordic Cinema in Transition</jats:bold> Andrew Nestingen &amp; Trevor G. Elkington (eds) (2005) Detroit: Wayne State University Press, 379 pp., ISBN 0814332439 (pbk), 26.95</jats:p>