Book Reviews

<jats:p> <jats:bold>Alphaville, Chris Darke, (2005)</jats:bold> London: I.B. Tauris, 114 pp., ISBN 1850439869 (pbk), 9.99. ISBN 1845112180 (hbk), 25.00</jats:p> <jats:p> <jats:bold>Black Narcissus (Turner Classic Movie/British Film Guide) Sarah Street, (2005)</jats:bold> London: I.B. Tauris, 128 pp., ISBN 1845110463 (pbk), 14.95</jats:p> <jats:p> <jats:bold>The Red Shoes (Turner Classic Movie/British Film Guide) Mark Connelly, (2005)</jats:bold> London: I.B. Tauris, 128 pp., ISBN 1845110714 (pbk), 14.95</jats:p> <jats:p> <jats:bold>Beating the Devil: The Making of Night of the Demon Tony Earnshaw, (2005)</jats:bold> Sheffield: Tomahawk Press, 127 pp., ISBN 095319261X (pbk), 25.00</jats:p> <jats:p> <jats:bold>American History and Contemporary Hollywood Film: From 1492 to <jats:italic>Three Kings</jats:italic>, Andrew Pepper and Trevor McCrisken, (2005)</jats:bold> Edinburgh: Edinburgh University Press, 224 pp., ISBN 0748614907 (pbk), 16.99</jats:p> <jats:p> <jats:bold>Speaking in Images: Interviews with Contemporary Chinese Filmmakers Michael Berry, (2005)</jats:bold> New York: Columbia University Press, 568 pp., ISBN 0231133316 (pbk), 24.50, ISBN 0231133308 (hbk), 64.50</jats:p> <jats:p> <jats:bold>The Lost World of Mitchell and Kenyon: Edwardian Britain on Film, Vanessa Toulmin, Simon Popple and Patrick Russell (eds), (2004)</jats:bold> </jats:p> <jats:p> <jats:bold>The Lost World of Mitchell and Kenyon (19001913) United Kingdom</jats:bold> </jats:p> <jats:p> <jats:bold>Contemporary Cinema of Latin America: Ten Key Films Deborah Shaw, (2003)</jats:bold> New York: Continuum, 206 pp., ISBN 0826414850 (pbk), 27.95</jats:p> <jats:p> <jats:bold>This Terrible Business Has Been Good To Me Normal Jewison, (2005)</jats:bold> New York: Thomas Dunne Books, St Martin's Press, 304 pp., ISBN 0312328680 (hbk), 25.95</jats:p> <jats:p> <jats:bold>Film &amp; Community in Britain &amp; France: From La Rgle du jeu to Room at the Top Margaret Butler, (2004)</jats:bold> London: I.B. Tauris, 224 pp., ISBN 1860649556 (pbk), 24.50, ISBN 1860649548 (hbk), 65.00</jats:p> <jats:p> <jats:bold>Figures Traced in Light: On Cinematic Staging David Bordwell, (2005)</jats:bold> Berkeley: University of California Press, 327 pp., ISBN 0520241975 (pbk), 24.95</jats:p> <jats:p> <jats:bold>Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records Sam Kula, (2003)</jats:bold> Lanham, MD: Scarecrow Press, 155 pp., ISBN 0810843684 (hbk), 43.00</jats:p> <jats:p> <jats:bold>Spaces in European Cinema, Myrto Konstantarakos (ed.), (1999)</jats:bold> Exeter: Intellect, 188 pp., ISBN 1841500046 (pbk), 24.95</jats:p> <jats:p> <jats:bold>Past and Present: National Identity &amp; the British Historical Film James Chapman, (2005)</jats:bold> New York: I.B. Tauris, 400 pp., ISBN 1850438072 (hbk), 79.50. ISBN 1850438080 (pbk), 29.50</jats:p> <jats:p> <jats:bold>European Cinema: Face to Face with Hollywood, Thomas Elsaesser, (2005)</jats:bold> Amsterdam: Amsterdam University Press, 563 pp., ISBN 9053566023 (hbk), 80.50, ISBN 9053565949 (pbk), 32.50</jats:p> <jats:p> <jats:bold>European Identity in Cinema, Wendy Everett, (ed.), (2005)</jats:bold> Prospect Heights, IL: Waveland Press, 119 pp., ISBN 1841509167 (pbk), 29.95</jats:p>