| Authors and Corporations: | |
|---|---|
| In: | Short Film Studies, 5, 2015, 2, p. 157-160 |
| published: |
Intellect
|
| Media Type: | Article, E-Article |
| Physical Description: | 157-160 |
|---|---|
| ISSN: |
2042-7824
2042-7832 |
| DOI: | 10.1386/sfs.5.2.157_1 |
| published in: | Short Film Studies |
| Language: | English |
| Subjects: | |
| Collection: | Intellect (CrossRef) |
<jats:title>Abstract</jats:title> <jats:p>While this film has been described as ‘modern’ in terms of its style and structure, approaching the film as ‘modern cinema’ in the terms defined by Richard Rushton allows us to consider the effects of its deliberate disjunction between ‘theatricality’ and ‘absorption’, or an exhibitionistic and a voyeuristic regime.</jats:p> |