Titel: | ‘I just had a dream about it’: Subjectivity, sensitivity and sonic impressionism in Avondale Dogs; |
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Beteiligte: | |
In: | Short Film Studies, 9, 2019, 1, S. 39-42 |
veröffentlicht: |
Intellect
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Medientyp: | Artikel, E-Artikel |
Umfang: | 39-42 |
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ISSN: |
2042-7832
2042-7824 |
DOI: | 10.1386/sfs.9.1.39_1 |
veröffentlicht in: | Short Film Studies |
Sprache: | Englisch |
Schlagwörter: | |
Kollektion: | Intellect (CrossRef) |
<jats:title>Abstract</jats:title> <jats:p>Using montage editing, close-ups and subjective sound, the award-winning short film Avondale Dogs (1994) tells the story of a young boy and his dying mother. The protagonist, Paul, is quiet and sensitive, and his inner turmoil is conveyed through conspicuous cuts and a vivid use of diegetic and non-diegetic sound.</jats:p> |