Beteiligte: | |
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In: | MedieKultur: Journal of media and communication research, 26, 2009, 48 |
veröffentlicht: |
Det Kgl. Bibliotek/Royal Danish Library
|
Medientyp: | Artikel, E-Artikel |
ISSN: |
1901-9726
0900-9671 |
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DOI: | 10.7146/mediekultur.v26i48.1381 |
veröffentlicht in: | MedieKultur: Journal of media and communication research |
Sprache: | Unbestimmt |
Schlagwörter: | |
Kollektion: | Det Kgl. Bibliotek/Royal Danish Library (CrossRef) |
<jats:p>Starting from a specific discussion on the particularities of sound and its relation with image in film and in video – especially on television – and from texts by Arlindo Machado, Michel Chion and Ángel Rodriguéz, we reach the issue of synchrony and rhythm as a fundamental characteristic that links time and sound on television. Rhythm is important to define television time, whether it is a narrative audiovisual product, based on words; or non-narrative in music. Through a brief analysis of the constitution of synchronicity between sound and image in the video clip, this paper intends to show the importance of sound for television non-narrative products. What is proposed in the paper is the characterization of television image being undissociable from sound. Thus, based on Gilles Deleuze’s concepts of movement-image and time-image, we come to the conclusion that television is preferably constituted by rhythm-images.</jats:p> |