| Beteiligte: | |
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| veröffentlicht: | Amsterdam University Press 2013 |
| Teil von: |
NECSUS. European Journal of Media Studies 2 (2), 557-463. DOI: https://doi.org/10.5117/NECSUS2013.2.KNOW.
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| Medientyp: | Artikel, E-Artikel |
| veröffentlicht in: | NECSUS. European Journal of Media Studies 2 (2), 557-463. DOI: https://doi.org/10.5117/NECSUS2013.2.KNOW. |
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| Sprache: | Englisch |
| Teil von: |
NECSUS. European Journal of Media Studies 2 (2), 557-463. DOI: https://doi.org/10.5117/NECSUS2013.2.KNOW.
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| Schlagwörter: | |
| Kollektion: | media/rep/ - Repositorium für die Medienwissenschaft |
The contemporary works discussed in this article emerge from a wider desire in experimental film to (re)discover the aesthetic and critical potential of celluloid as it shifts, to employ the terminology coined by Raymond Williams, from the dominant to the residual. |