| Beteiligte: | , |
|---|---|
| veröffentlicht: | Logan Utah State University Press 2007 |
| Medientyp: | Buch, E-Book |
| Beschreibung: | Description based upon print version of record |
|---|---|
| Umfang: | Online-Ressource (232 p) |
| ISBN: |
9780874216738
|
| Sprache: | Englisch |
| Schlagwörter: | |
| Weitere Ausgaben: |
Folklore/Cinema: Popular Film As Vernacular Culture
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| Print version: | Folklore/Cinema : Popular Film as Vernacular Culture |
| Kollektion: | Verbunddaten SWB |
| Contents ; Introduction: Popular Film as Vernacular Culture ; I. Filmic Folklore and Authenticity ; 1. ""I' y ava't un' fois"" (Once Upon a Time): Film as Folktales in Quebecois Cinema Direct; 2. Elvis Gratton: Quebec's Contemporary Folk Hero?; 3. A Strange and Foreign World: Documentary, Ethnography, and the Mountain Films of Arnold Fanck and Leni Riefenstahl; II. Transformation ; 4. PC Pinocchios: Parents, Children, and the Metemorphosis Tradition in Science Fiction; 5. From Jinn to Genies: Intertextuality, Media, and the Making of Global Folklore 6. ""Now That I Have It, I Don't Want It"": Vocation and Obligation in Contemporary Hollywood Ghost FilmsIII. Through Folklore's Lenses ; 7. Marchen as Trauma Narrative: Helma Sanders-Brahms's Film Germany, Pale Mother; 8. The Three Faces in Eve's Bayou: Recalling the Conjure Woman in Contemporary Black Cinema; 9. Allegories of the Undead: Rites and Rituals in Tales from the Hood; IV. Disruption and Incorporation ; 10. The Virgin Victim: Reimagining a Medieval Folk Ballad in The Virgin Spring and The Last House on the Left 11. Beyond Communitas: Cinematic Food Events and the Negotiation of Power, Belonging, and ExclusionContributors ; Index |