| Beteiligte: | , |
|---|---|
| veröffentlicht: | Chicago : University Press of Colorado, 2007. ©2007. |
| Medientyp: | Buch, E-Book |
Nicht angemeldet
Sie müssen angemeldet sein, um Zugang zu diesem Titel zu erhalten.
Noch keinen Account? Jetzt registrieren
Noch keinen Account? Jetzt registrieren
| Umfang: | 1 online resource (240 pages) |
|---|---|
| ISBN: |
9780874216752
|
| Ausgabe: | 1st ed. |
| Sprache: | Englisch |
| Schlagwörter: | |
| Print version:: |
Sherman, Sharon R., Folklore/Cinema, Chicago : University Press of Colorado,c2007
Mehr ... |
| Kollektion: | E-Books adlr |
| Intro Contents Introduction: Popular Film as Vernacular Culture I. Filmic Folklore and Authenticity 1. "I' y ava't un' fois" (Once Upon a Time): Film as Folktales in Quebecois Cinema Direct 2. Elvis Gratton: Quebec's Contemporary Folk Hero? 3. A Strange and Foreign World: Documentary, Ethnography, and the Mountain Films of Arnold Fanck and Leni Riefenstahl II. Transformation 4. PC Pinocchios: Parents, Children, and the Metemorphosis Tradition in Science Fiction 5. From Jinn to Genies: Intertextuality, Media, and the Making of Global Folklore 6. "Now That I Have It, I Don't Want It": Vocation and Obligation in Contemporary Hollywood Ghost Films III. Through Folklore's Lenses 7. Marchen as Trauma Narrative: Helma Sanders-Brahms's Film Germany, Pale Mother 8. The Three Faces in Eve's Bayou: Recalling the Conjure Woman in Contemporary Black Cinema 9. Allegories of the Undead: Rites and Rituals in Tales from the Hood IV. Disruption and Incorporation 10. The Virgin Victim: Reimagining a Medieval Folk Ballad in The Virgin Spring and The Last House on the Left 11. Beyond Communitas: Cinematic Food Events and the Negotiation of Power, Belonging, and Exclusion Contributors Index. |