Authors and Corporations: | , |
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published: | New York ;, London ;, Oxford ;, New Delhi ;, Sydney : Bloomsbury Academic, 2018 |
Media Type: | Book, E-Book |
Physical Description: | xxvii, 255 Seiten; Illustrationen |
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ISBN: |
9781501337888
9781501337871 |
Language: | English |
Subjects: | |
Other Editions: |
The Hollywood Renaissance: Revisiting American Cinema's Most Celebrated Era
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Other Editions: | The Hollywood Renaissance: revisiting American cinema's most celebrated era |
Collection: | Deutsche Kinemathek (VK Film) |
"A fascinating examination of 13 key films from one of the most highly regarded and most widely debated periods in American film history"-- Who's afraid of Virginia Woolf? (1966): the commercial and regulatory impact of the first American art film / Justin Wyatt -- The film editors who invented the Hollywood Renaissance: Ralph Rosenblum, Sam O'Steen, and Dede Allen's Bonnie and Clyde / Warren Buckland -- "I smell money!" class product, The graduate, and the corporatisation of embassy / Anthony Mckenna -- "A triumph of aura over appearance": Barbra Streisand, Funny girl (1968) and the Hollywood Renaissance / Peter Krämer -- The auteurist special effects film: Kubrick's 2001: a space odyssey (1968) and the "single-generation look" / Julie Turnock -- "About as brutal, relevant and exploitable as they come": medium cool and political filmmaking / Oliver Gruner -- From exploitation to legitimacy: Easy rider (1969) and independent cinema's journey into Hollywood / Yannis Tzioumakis -- Hollywood trade: Midnight cowboy (1969) and underground cinema / Gary Needham -- Zabriskie point (1970), Michelangelo Antonioni and European directors in Hollywood / Melis Behlil -- Becoming Hal Ashby: intersectional politics, the "Hollywood Renaissance" and Harold and Maude (1971) / Philip Drake -- A matter of race and gender: Lady sings the blues (1972) and the Hollywood Renaissance canon / Charlene Regester -- De Niro and Scorsese: director-actor collaboration in Mean streets (1973) and the Hollywood Renaissance / R. Colin Tait -- Coppola's The conversation (1974) and Walter Murch's Sound worlds / Frederick Wasser |